im actually the meanest person when im stressed. i would literally yell shut up to anything that is making noise
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ugh this is me
I was running late to work the other day and I was like sprinting out to my car when a butterfly flew towards my face and I yelled at it to go fuck itself
Things My Immortal does better than The Cursed Child
- Handles a time travel story in a way more accurate to the Harry Potter canon rather than by doing The Butterfly Effect paired with the season one finale of The Flash
- Rightfully villainizes Snape as a greasy, creepy man instead of claiming his flaws made him ‘greater’
- Cedric is already back to life in My Immortal
- Bad parents are treated as terrible things in My Immortal, and no comments about wishing a child was never born are forgiven and brushed under the rug
- Going back in time to stop Voldemort rather than help him
- Ebony Dark’ness Dementia Raven Way is a genuinely more logical and interesting character idea than Voldemort’s daughter
- “He was so sexy that my body went all hot when I saw him kind of like an erection only I’m a girl so I didn’t get one you sicko.” might be bad but at least it’s better than “The Scorpion King”.
- The Cursed Child was written by fucking committee by three grown-ass adults, one of whom was actualy JK fucking Rowling herself rather than an intentionally shitty fanfic meant to look like it was written by a 16 year-old emo girl
- Hufflepuff aesthetic: sitting after a long day; pulling your blanket back on when it falls off in the night; broken cinnamon sticks; jumpers that are too big; putting on warm socks; your pet resting their head on your lap; butterfly kisses; extra creamy hot chocolate; humming in the morning;
- Gryffindor aesthetic: being breathless after running; spinning fast on office chairs; untying your hair; having dirty feet; finishing big breakfast; holding hands; fire crackling; having red lips from berries; burning the tips of your fingers on hot drinks; brushing your hands through fur;
- Slytherin aesthetic: making perfect paper creases; sucking on ice; rooms with high ceilings; looking up at the stars; getting up for a drink of water at night; brushing your hair behind your ears; heels clicking on polished floors; dancing home alone; driving fast; jumping high on trampolines; charcoal on fingers; blasting music on headphones; being light-headed after a sleep in;
- Ravenclaw aesthetic: covering your eyes with your hair; cold wind on your face; brushed teeth; finishing a long book series; wearing extravagant clothes at home for no reason; sipping lemonade through straws; multi-tasking; hot showers; staying up late; quiet music; the taste of mint; perfectly sharpened pencils;
“not all men” you’re right, Jerome Squalor would never do this, unless I told him to do it, in which case he probably would
I’m on team “acknowledges that VFD is a terrible organization but still wishes they were a volunteer” who’s with me
always
What she says: I’m fine
What she means: What time period does A Series of Unfortunate Events actually take place? There is mention of horse-drawn carriages, but also of motor cycles and automobiles, but the way the three Baudelaires dress is indicative of the nineteen hundred-something’s. Characters are dressed in both early twentieth century clothing as well as up to date clothing. There is mention of computers, fax, and phones but some things seem rather dated. What time in history is it??
I remember reading an interview with Lemony Snicket when I was a kid, where they basically asked him that exact question.
His answer was “the year of the Rat”.
when i watched the film i was extra confused because i thought they were Victorian but count olaf was drinking a slurpee so i just lost all sense of direction
I’ve wondered the same thing, and as a professional writer and editor, don’t know how he got away with it–like, how were his editors and publisher like, yeah, sure, okay
I actually really liked the little anachronisms of A Series of Unfortunate Events because it adds to the subtle absurdity and abstraction of the story space.
The whole narrative perfectly constructs this slightly ‘off’ world where three orphans can somehow be passed around the same group of (barely disguised) people from place to place, an infant child can become a gourmet cook before learning to form sentences, etc. In this world, evil is both carried out and vanquished by complete chance, or the intervention of deus ex machina that actually never feels out of place because of just how weird everything else is. Why wouldn’t a Scooby Doo-esque button be concealed in a village statue in a world where a man can burn a mansion down with a strategically placed mirror? Why not have a narrator define words at random, but only ever in a single context, if said narrator is also going to devote an entire page to the word ‘ever’?
It’s just the same with the date; the things that happen to the Baudelaire children are the product of a backwards world, and in their perennial adolescence they too seem to be a little unstuck in time. Count Olaf has an outdated title, but despite being anchored to this by his very name he floats between a frankly unmatched number of false identities. It’s just one of many characteristics of a series that does the absurd/unsettling exceptionally well at every level.
I like it too. It’s an “unreality.” It’s not that writers can’t do it and can’t do it well, it’s that I feel like a lot of them don’t actually get the permission to do it. And it’s awesome that this author got away with it.
10 self-love-encouraging questions to ask yourself from here
- will this choice propel me towards an inspiring future, or will it keep me stuck in the past?
- will this choice bring me long-term fulfilment or short term gratification?
- am i standing in my power or am i trying to please another?
- am i looking for what’s right or am i looking for what’s wrong?
- will this choice add to my life force or will it rob me of energy?
- will i use this situation as a catalyst to grow and evolve, or will i use it to beat myself up?
- does this choice empower or disempower me?
- is this an act of self-love or self-sabotage?
- is this is an act of faith (love) or fear?
- am i choosing from my divinity or am i choosing from my humanity?
